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Acknowledgements

I wish to thank the following for permission to quote:

 

Julie Munro of Carcanet Press Ltd. for permission to quote extracts from

Selected Poems by Andrew Young

Edited by Edward Lowbury and Alison Young

Carcanet Press (1998)

(ISBN 978 185754 3926)

Also for permission to quote from the introduction to

The Poetical Works of Andrew Young

Edited and with an Introduction and Notes by

Edward Lowbury and Alison Young

Secker & Warburg (1985)

(ISBN 0 436 26884 1)

 

Wolfgang Görtschacher of Poetry Salzburg for permission to quote from

To Shirk No Idleness:

A Critical Biography of the Poet Andrew Young,

by Edward Lowbury and Alison Young

University of Salzburg (1997)

(ISBN 3 7052 0125 5)

 

 

Georgia Glover of David Higham Associates for permission to quote twenty words from an essay by Christopher Hassall from

Andrew Young: Prospect of a Poet

Tributes by 14 Writers, edited by Leonard Clark

Rupert Hart-Davis (1957)

 

Maria Kilcoyne of Reaktion Books Ltd. for permission to quote from

Roger Cardinal: The Landscape Vision of Paul Nash

Reaktion Books (1989)

(ISBN 978 094846 2023)

 

Unfortunately I could not trace the copyright holder for the photograph of Andrew Young, published in

Andrew Young: Prospect of a Poet

Tributes by 14 Writers, edited by Leonard Clark

Rupert Hart-Davis (1975)

I will be pleased to receive necessary information and offer apologies in advance.

 

Though I did not quote from it consciously I am very much indebted to Roger D. Sell’s

Tresspassing Ghost: A Critical Study of Andrew Young’.

Acta Academiae Aboensis,

Ser A Humaniora, Vol 56 nr 1,

Abo Akademi, 20500 Abo 50,

Finland (1978)
 

Also I wish to thank the following:

 

Ruth Lowbury for her encouragement of my project about her grandfather

 

Stephen Banfield for information about the Young volumes in Gerald Finzi’s possession

 

Peter Hunter for sending me a copy of the songs of Robin Milford

 

Alasdair Pettinger of the Scottish Music Centre for information about Neil Butterworth’s ‘Christmas Day’

 

Catherine Rose for information about Michael Rose’s ‘Winter Music’

 

 

I am greatly indebted to Chris Goddard for his generous offer to proofread my texts.

He not merely corrected grammar and vocabulary but gave me a valuable lesson in English cultural history as well.

 

 

Last but not least I wish to thank Jana Plogmann. In 2007, at the age of only ten years, she has built a magnificent homepage all on her own. It is due to her example that this homepage has been brought into existence.

 

 
   
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